trailer:
(2 min)
The lost city, a motive about Cuba but filmmed in Dominica, is simply another must-watch.
Not for Andy García. As a review (“An Elegy for Old Havana, ‘The Lost City’ of Glamour and Music“, 28 Apr 2006) said:
“The Lost City,” Andy Garcia’s ode to the Havana of pre-Communist Cuba, is a romantic epic manqué that swoons across the screen for nearly two and a half hours without saying much, beyond that life sure was peachy before Fidel Castro came to town and ruined everything.
Not for Dustin Hoffman:
Dustin Hoffman appears briefly (and ineffectually) as the gangster Meyer Lansky, a character who has no reason to be in the movie other than to put Mr. Hoffman’s name on the marquee.
Also not for the Godfather:
The film’s best action sequence is a failed raid on the presidential palace. But it pales in comparison to the Cuban section of “The Godfather: Part II,” which “The Lost City” self-consciously echoes. In its unwieldy length and pulpy grandiosity, “The Lost City” also echoes a different “Godfather” film, Part III, in which Mr. Garcia played Michael Corleone’s protégé, Don Vincent. As that movie does, “The Lost City” lunges back and forth between intimate confrontations and historical events in a clumsy effort to fuse personal and social upheaval. But because its characters pontificate in generalities and aphorisms, they’re little more than stick figures with cartoon balloons pasted over their heads.
Just for the (not-yet-listened) soundtrack.